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Nw Yr’s Rckn’ EVE

Posted on 28 December 2009 by Alex Grubard

Hello everyone out there in TV outlandishness,

Well, it’s almost over. The decade is about to finish up and people seem to be somewhat indifferent about it. Makes sense since everyone knows the world is ending in two years anyway.

Every year in Times Square, New York City some teenager’s balls drop and everyone gathers around to see. It’s an impressive sight live in the freezing cold, I’m sure, but I’ve always caught the last two minutes of the year on television surrounded by friends and drunkards at a house party. I’m sure most of us usually witness the event live on television watching “Dick Clark’s New Year’s Rockin’ Eve” often hosted by, I’m pretty sure, Dean Martin.

This year (2010 the year of someone’s lord) DCNYRE will be hosted by a slew of stars: Dick Clark, Ryan Seacrest and Fergie. That’s really great for them, because what else can they possibly do? I would only watch the three of them if they were the only people hosting an event that is as unavoidable as time itself.

Jennifer Lopez and Daughtry are going to perform live in Times Square. Out of the 1,000,000 people in attendance I can only think of two people that will be interested in their performances: J-Lo and Daughtry.

American Idol participant Adam Lambert says he was booked, but was bumped for previous televised performances that were too “controversial” (see: gay).

This will also be the first year where there will be taped musical performances from Las Vegas, which is what Fergie will be hosting. Thankfully she will not be singing.

The only worse than watching New Year’s on ABC this year would probably be watching it on MTV. They’ll probably just play a marathon of Jersey Shore anyway.

Happy new year/decade! This is going to be the one!

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Silly Faces, Rockwell’s Tonight, Transcendentalist Television Tomorrow

Posted on 08 May 2009 by Alex Grubard

One thing Dan and I like to do a lot is make silly faces. Here are some old ones:

morning

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soulpatch

om

I’m also doing a show at 31 Rockwell right in Downtown Brooklyn. 31 Rockwell Place.

Also, Transcendentalist Television is tomorrow!
Saturday, May 9th
11 PM
The People’s Improv Theater
254 W 29th St.
Manhattan, NY
$10

Buy tickets ahead of time here.

Featuring:
Brent James Sullivan
Zachary Sims
Molly Knefel
Jon Clarke

We’ve also got three videos for you in our serialized series: Cacophony of Transcendence. It’s gonna be a great show! Come out!

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Restaurant Review: Tom’s

Posted on 22 April 2009 by Dan Tovrov

tomsinwinter

A few Saturday’s ago, in accordance with what was an officially planned event (thanks to Grubard and his supposedly ironic facebooking), Stacey and I met Grubard and Julie (did you know they are dating on facebook?) at Tom’s Restaurant (not the Seinfeld one). It’s right next to my apartment (and therefore right next to Grubard’s too). It was a rainy rainy morning, but we stood in line outside anyway (I had heard such good things about this place, we decided it was worth it). The line moved pretty fast for what it was (and even went through half the restaurant inside, but even the wait was enjoyable, the reasons of which your about to find out) As we stood there, every three minutes (on average) an employee would walk up the line with a big tray of food – cookies, french toast sticks, sausages, strawberries and cream, and even mugs of coffee for everyone (cream and sugar if you wanted it). The owner (Gus) made himself known to everyone there, and was really funny and friendly; as if we’d been friends for years. And the people he really was friends with (of which there were quite a few) he treated even better, going as far as giving a little black boy a two minute bear hug and then a handful of money. And the food was good too (really really good).

Since moving to New York, I have embraced the brunch culture; although I unwittingly started this affair with brunch back in Boston, when on Friday mornings, tired, hung-over, and suffering after 11am math class, my roommate Greg and I would hop in my Subaru Legacy and go out for breakfast, each week trying to find and evaluate a new and unknown diner (The Tufts brunch scene was dominated by only two restaurants, where you would have to wait in enormous lines, with the people you didn’t want to talk to at the party at the night before, for the same food every week. These places were good, though). This weekly sojourn caught the attention of my other roommates and friends, and we would go venturing into Medford with increasing numbers, and even my current relationship with Stacey was, in a large part, founded on these mornings. Now, in New York, I have a neighborhood, a village, an island, five boroughs, a city to explore, two days a week. And for the months I’ve been here, and the months earlier spent visiting and crashing on floors, I hadn’t yet tried Tom’s, the fantastically reviewed and homey diner right next door to me. Quickly into our meal there and with great grinning mouths, Julie, Stacey, Grubard, and myself ecstatically claimed this was the best place we’d ever been to. Now with about a week to think and move past our original, excited hyperbole, the place has been properly digested in mind. It is great. But, are there any ways it could be better? Let’ see:


The Food:

It’s good. It’s great, really. But, it’s not fancy. Pretty standard breakfast fair – eggs, pancakes, waffles, french toast, etc. Not fancy is fine, but since I’m used to the east village, I generally see all sorts of fancy, specialized toms-restaurant-picconcoctions, and figured this was the NYC rule; so Tom’s could be seen as antiquated, un-hip. But, the food was good enough to cancel out any issues one might have had, and any frilly foods would have been completely wrong for this place, a rupturing and uneasy mixture. Furthermore, even though you had to choose from typical moring starches and proteins, Tom’s tweaked every dish, making the food unique and incredible. Dozens of different types of pancakes, even with corn or cranberries, chorizo with lemon instead of normal sausages, even three different types of butter, including cinnamon, strawberry, and mango.
The Food – I wouldn’t change anything.

The Waitstaff:
About four minutes after we ordered our food, Gus walked up behind Alex and Julie with four plates in his arms and amiably said “sorry about the long wait.” That should speak for itself.

But, if it doesn’t, more analysis: The real waiters were business like and swift. They did what they needed to, filled your coffee, and pretty much stayed out of the way. I like when waiters don’t interrupt too much, but if you don’t and want your waiter to be your thirty-minute friend, don’t worry, I think the attention and jokes one gets from Gus and his wife more than fill the empty void inside you that you need waitresses to occupy.

Any other ways the make the waitstaff better? Topless waitress: believe it or not, this idea has been tried and it failed. A donut store off the highway in Maine tried to mix sex and breakfast, but quickly went under. Health violations aside, making Tom’s anything but a family joint would ruin the aesthetic and consequently the enjoyment. For the same reasons I don’t really like eating at Hooters, lewdness and heart-warming food cannot connect pleasantly for me.

The Coffee:
Honestly, the coffee wasn’t great. It was watery and not very strong. But, it was cheap – less than a dollar – and I had a cup in my hand since I got into line, and the refills were free and prompt.

The Decor:
Like the food, the decor is an amalgamation of past virtues. A frantic amalgamation at that. The place is packed with old pictures and reviews, strung up with colored christmas lights, and perfumed by randomly set potted plants. tomdecorIndividual highlights from the menu are written on colored posters that polka-dot the walls. It’s a mess. It works. Unlike those family chain restaurants that cover their walls in old metal prints and antique furniture and sports equipment (I’ve always theorized that there is a catalog for those restaurants full of that random crap), the decorations seem genuine and sweet; a relic, like Gus himself.
Would I change the decor at all? More christmas lights? Naw, it’s good.

Can Tom’s be any better? Maybe lower the price by a dollar. That might be it.

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Analysis: Doug Stanhope’s “Sicko”

Posted on 31 March 2009 by Alex Grubard

I love stand-up comedy. One thing that’s great about it is that no matter how hard you try no stand-up show is exactly the same. I like to listen to comedy albums over and over again not just to enjoy the humor again, but to try and pick up on all the little imperfections and subtleties of the show itself. Did anything happen at the particular show this comedian recorded and decided to sell to fans that wasn’t planned? Here’s me reading way into Doug Stahope’s “Sicko”.

This is Doug Stanhope’s first full-length album, which came out in 1999 and was taped the previous November, is a really good road album. At the time Doug is doing almost all road work an it does feel that way on the album. He doesn’t steer off course much at all and is tons looser on his other albums. “Sicko” is not actually the first album as Doug released an EP called The Great White Stanhope. “Sicko” was recorded where Stanhope’s three first albums were all recorded, The Houston Laff Stop. Here’s the track list:

NO HOLDS BARRED · MOM · SOMEONE’S BEEN SLEEPING IN MY BED · TRUCKERS · ECSTASY · FOR THE MAN WHO HAS EVERYTHING · THE PERFECT GIRL · TITS ARE ILLEGAL · SMOKE THIS! · TERRIBLE PIECE OF ASS · THE BANANA LADY · SICKO · THE TRANSVESTITE HOOKER INCIDENT · BIG DICK DREAMS · $5

No Holds Barred starts off with the opening act Sean Rouse’s introduction, “Ladies and gentlemen, Doug Stanhope.” That’s it. No credits, no huge build up, just Doug Stanhope is the last comedian. Also I think it’s interesting that Sean Rouse is the guy MCing. We don’t know who the feature is ever or if there were any guest spots or anything. It’s also possible that Sean Rouse was just the comedian before him, but he hadn’t even won Funniest Person In Austin yet so my bet is that he was just Doug’s favorite young comic in Texas.

It’s such a road album. Clearly he is a The third track is a bit about doing comedy and working the road and getting a place to stay in a town for a week. The next is about how annoying tuck drivers are on every American highway. Within the first two tracks he’s let us in on who he is: a road comic. This is just another show in the five hundred he does a year in a city he likes. On track 8 he comments on a guy yelling out in the crowd. On the title track he asks the question, “Who came here to see me specifically tonight? (light smattering) How many people came to see whatever bag of shit was standing behind a microphone? (huge outcry)That’s the problem with comedy!”

The last two tracks are both long stories, the first is rather self explanatory, but I like the segway into it a lot. Clearly Doug has a cigarette in his mouth that he’s trying to light as he talks and a guy asks him to finish the midget story. He says there isn’t really a story to it, but “I got rolled by a transvestite hooker once. I’ll tell you that. Who here’s gotten rolled by a transvestite hooker before? All of you? Here’s my tale.” The last track, $5, is great and fits as Doug Stanhope’s closer. It ends with him saying, “What a country! God bless America and God bless you fine people. Good night,” which is extremely uplifting for him.

Stanhope’s first album is so much smoother than the rest, although still a lot rougher and looser than most people’s albums. It’s hilarious and original and he’s clearly a guy that can write a good joke, but loves to tell stories. Go listen to “Sicko”. You can listen to it for free here. For some reason it’s missing the first track though. I guess Napster bars holds.

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